Evil
The highly anticipated new series from Robert and Michelle King (The Good Wife, The Good Fight), Evil finds a skeptical female clinical psychologist as she joins a priest-in-training and a contractor as they investigate supposed miracles, demonic possession, and other extraordinary occurrences to see if there’s a scientific explanation or if something truly supernatural is at work.

Executive Producer: Michelle King, Robert King, and Liz Glotzer
Cast: Katja Herbers, Mike Colter, Aasif Mandvi,Michael Emerson, Christine Lahti and Kurt Fuller.
Network: CBS
Episode Date: September 26, 2019
Genre: Drama
TV-14

Godfather of Harlem
A gangster named Bumpy Johnson makes his way in Harlem during the 1960s. A TV prequel to the 2007 film, ‘American Gangster’, which centered on the criminal enterprise of Frank Lucas.

Written by: Chris Brancato
Executive Producer: Chris Brancato, Paul Eckstein, Nina Yang Bongiovi, James Acheson, Markuann Smith, Forest Whitaker
Cast: Katja Herbers, Mike Colter, Aasif Mandvi,Michael Emerson, Christine Lahti and Kurt Fuller.
Network: Epix
First Episode Date: September 29, 2019
Genre: Drama
TV-14

The Critic’s 5 Most Anticipated Films at the 57th New York Film Festival

The Irishman (Opening Selection/World Premiere)

The Irishman is a richly textured epic of American crime, a dense, complex story told with astonishing fluidity. Based on Charles Brandt’s nonfiction book I Heard You Paint Houses, it is a film about friendship and loyalty between men who commit unspeakable acts and turn on a dime against each other, and the possibility of redemption in a world where it seems as distant as the moon. The roster of talent behind and in front of the camera is astonishing, and at the core of The Irishman are four great artists collectively hitting a new peak: Joe Pesci as Pennsylvania mob boss Russell Bufalino, Al Pacino as Teamsters president Jimmy Hoffa, and Robert De Niro as their right-hand man, Frank Sheeran, each working in the closest harmony imaginable with the film’s incomparable creator, Martin Scorsese. A Netflix release.

Runtime: 3 hours 30 minutes
Distributor: Netflix
Release Dates: November 1, 2019 (limited theatrical release) and November 27, 2019 (on Netflix)

Motherless Brooklyn (Closing Night Selection/New York Premiere)

In an unusually bold adaptation, writer-director-producer Edward Norton has transplanted the main character of Jonathan Lethem’s best-selling novel Motherless Brooklyn from modern Brooklyn into an entirely new, richly woven neo-noir narrative, reset in 1950s New York. Emotionally shattered by a botched job, Lionel Essrog (Norton), a lonely private detective with Tourette syndrome, finds himself drawn into a multilayered conspiracy that expands to encompass the city’s ever-growing racial divide and the devious personal and political machinations of a Robert Moses–like master builder, played by Alec Baldwin. Featuring a rigorously controlled star turn by Norton and outstanding additional supporting performances by Bruce Willis, Willem Dafoe, Gugu Mbatha-Raw, Bobby Cannavale, Leslie Mann, and Cherry Jones, plus a haunting soundtrack (featuring a score by Daniel Pemberton, with orchestration by Wynton Marsalis, and an original song by Thom Yorke), Motherless Brooklyn is the kind of movie Hollywood almost never makes anymore, and a complexly conceived, robust evocation of a bygone era of New York that speaks to our present moment. A Warner Bros. Picture.

Runtime: 2 hours 24 minutes
Distributor: Warner Bros. Pictures
Release Date: November 1, 2019

Marriage Story (Centerpiece Selection/New York Premiere)

Noah Baumbach’s new film is about the rapid tangling and gradual untangling of impetuosity, resentment, and abiding love between a married couple negotiating their divorce and the custody of their son. Adam Driver is Charlie, a 100-percent New York experimental theater director; Scarlett Johansson is Nicole, his principal actress and soon-to-be L.A.-based ex-wife. Their “amicable” breakup devolves, one painful rash response and hostile counter-response at a time, into a legal battlefield, led on Nicole’s side by Laura Dern and on Charlie’s side by nice Alan Alda and not-so-nice Ray Liotta. What is so remarkable about Marriage Story is its frank understanding of the emotional fluctuations between Charlie and Nicole: they are both short-sighted, both occasionally petty, both vindictive, and both loving. The film is as harrowing as it is hilarious as it is deeply moving. With Merritt Wever and Julie Hagerty as Nicole’s sister and mom, and Azhy Robertson as their beloved son, Henry. A Netflix release.

Runtime: 2 hours 16 minutes
Distributor: Netflix
Release Dates: November 6, 2019 (limited theatrical release) and December 6, 2019 (on Netflix)

Pain and Glory (New York Premiere)

Pedro Almodóvar cuts straight to the heart with his intensely personal latest, which finds the great Spanish filmmaker tapping into new reservoirs of introspection and emotional warmth. Antonio Banderas deservedly won the Best Actor award at this year’s Cannes Film Festival for his miraculous, internalized portrayal of Salvador Mallo, a director not too subtly modeled on Almodóvar himself, whose growing health problems—including tinnitus, migraines, and spinal pain—and creative block have initiated a midlife reckoning. Moving in and out of time, evoking Salvador’s childhood in the sixties (featuring Penélope Cruz as his doting mother); his years of triumph in the eighties; and present-day Madrid, where he navigates new artistic challenges, Pain and Glory is both a moving summative statement on a career and an indication of more brilliant things to come. A Sony Pictures Classics release.

Runtime: 1 hour 53 minutes
Distributor: Sony Pictures Classics
Release Date: October 4, 2019

Parasite (New York Premiere)

In Bong Joon-ho’s exhilarating new film, a threadbare family of four struggling to make ends meet gradually hatches a scheme to work for, and as a result infiltrate, the wealthy household of an entrepreneur, his seemingly frivolous wife, and their troubled kids. How they go about doing this—and how their best-laid plans spiral out to destruction and madness—constitutes one of the wildest, scariest, and most unexpectedly affecting movies in years, a portrayal of contemporary class resentment that deservedly won the Cannes Film Festival’s Palme d’Or. As with all of this South Korean filmmaker’s best works, Parasite is both rollicking and ruminative in its depiction of the extremes to which human beings push themselves in a world of unending, unbridgeable economic inequality. A NEON release.

Runtime: 2 hours 11 minutes
Distributor: Neon
Release Date: October 11, 2019